My Life and Thoughts

If there’s one thing about the writing life that recommends itself to young people, it’s the limited capital outlay.  You don’t need to pay salaries, rent a recording studio, or make weekly trips to Denver… but does that mean it’s all about sitting back and watching the money roll in?   Alas.  Today I bring you a cautionary tale about how easy it is to wind up with between $817–$1,067 work-related expenses.

It started one day in August, when I received a notice for a missed UPS delivery.  The only package I was expecting at that time was the first uncensored translation of Alexander Solzhenitsyn’s First Circle, which the publishers had been trying to mail me for some weeks, as part of a campaign to get people to write Solzhenitsyn profiles:

Although Solzhenitsyn died last August, the following individuals are available for interviews: Solzhenitsyn’s widow, Natalia (who made headlines last month when she rebuked Vladimir Putin during a meeting with him); the author’s son, pianist and conductor Ignat Solzhenitsyn, who is musical director for the Chamber Orchestra of Philadelphia; and Edward E. Ericson, Jr., the noted Solzhenitsyn scholar. They can discuss:

· Where Solzhenitsyn fits in to the great Russian literary realist tradition bequeathed by Tolstoy and Dostoevsky;

· The two decades he spent as an exile in Vermont, stripped of his Russian citizenship.  How he lived in such fear of the KGB that he built a barb wire fence around his home;

· The differences between Stalin’s regime and the Russian leadership of today—and what might happen if Solzhenitsyn were writing today;

· How he damaged his reputation in the West by championing Christianity and railing against American pop culture in a rambling commencement speech at Harvard;

· The “censored” portions of IN THE FIRST CIRCLE, which included suggestions that Stalin had been a double agent, and that the Soviet Union should not possess the atomic bomb;

· And much more.

Alexander Solzhenitsyn (1974)

Being overdue on three deadlines, I am obliged to leave the Solzhenitsyn-profiling to other and better C-list writers, whom I certainly wish a pleasant phone chat with the musical director of the Philadelphia Chamber Orchestra on the subject of AS’s famous “rambling speech” of 1978.

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Dear readers, thanks for all the kind comments on “Safe Laughs,” as well as for notifying me that I-14, a bit like the Lev Tolstoy Accordion Academy, is at this point only a beautiful dream of the future, and the road one was actually driving down in 2007 was California State Route 14.  I have just posted those outtakes here—they include Dostoevsky’s prophetic analysis of the psychology of road rage.

In other beautiful fictions, the FSG winter 2010 catalog is now available online, and if waiting for enormous pdf files to load is one of your special hobbies, I warmly encourage you to check it out.  All others will have to content themselves with this excerpt:

In The Possessed we watch [Batuman] investigate a possible murder at Tolstoy’s ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin’s wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva.

Although “Stanford, Switzerland, and St. Petersburg” certainly has a nice ring, there is this interesting circumstance that I have never, to the best of my knowledge, actually been to Switzerland.  Yet. I figure the Macmillan group can see into the future, and that must be the subject of my next book.  Avanti!

This clock tells the time of the future.

Well guys, it looks like all that hope finally paid off: “Safe Laughs,” my two-year-old article about comedy traffic school, runs in the August 31 issue of the New Yorker!  On newsstands tomorrow!  I still can’t believe it—I really thought I would go to the grave with the story of Mr. Traffic on my chest, like Dr. Watson with the mystery of the Giant Rat of Sumatra.

As soon as I have a bit more time I will post some of the editorial outtakes (they cut out a whole character—Mr. Traffic’s Swedenborgian foil, Dr. Driving). In the meantime, I leave you with two brand new get-rich schemes:

1. Elegy Traffic School, conducted in odes
2. Comedy Psychoanalysis, specializing in hysterical cases

How is it that I’m not a millionaire yet??

Dear readers!  It has been a long time since I was able to update you on my life as a D-list writer.  But I’ve really had my hands full with the arduous transition to the C-list.   There are just all kinds of unexpected things you have to think about.  No sooner than you have finished wrestling with the ontological problem of the author photograph, and are looking forward to a well-earned respite from self-consciousness, than you are liable to find yourself involved in email exchanges like the following, which took place between me and my my much-admired editor at FSG:

Much-Admired Editor. “Dear Elif!!! Would you send me a photo of yourself? Let me explain!! I was talking to our head of paperback design about possible covers for your book. One idea that occurred to me was–I’d like to see a funny drawing of you, of an Elif-ish person, making her way through the words. Of course, if you think this is a bad idea, I’ll forget all about it. And if you have some idea for how the cover should look, tell me!!! My boss wants to see an Elif-ish person peering up—possessedly—from a big book. Or maybe head-down behind a big mise-en-abyme of a cover of THE POSSESSED…”

Elif (thinking to herself: “The next time I write a book it is so not going to be about my idiosyncratic and charming vision of anything). “Dear Lorin!!!  To be honest, I’m not sure how I feel about a cartoonish representation of me on the cover. Aren’t I kind of a parody of myself already ?  I think the idea I had for the cover in the back of my mind was a battalion of possessed-looking matryoshki… have you ever seen a whole army of them on a table, staring at you, like something out of Hoffman?”

Editor. “…As it happens, the designer and I had already discussed matryoshka dolls. We both really liked your creepy-armies-of-matryoshkas as a visual joke; the trouble is, it doesn’t say READING. It doesn’t connote books and their pleasures, or wonderful-Elif-in-the-universe.”

Elif. “…Well, OK I guess, as long as it isn’t like one of those pages they do in the New Yorker with the author’s enormous head surrounded by weird floating apparitions…”

Editor. “…No, we weren’t thinking of that guy. More like Roz Chast!”

I thought that was a pretty good joke.  But… it wasn’t a joke!  They really got Roz Chast to do this incredibly beautiful cover!  I observe merely in passing, ain’t no Elif-ish people peering out of nowhere.

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Caroline Kennedy tried her hardest, but she was not able to suppress the story of the Russian bells, which appears in the April 27 issue of the New Yorker, on newsstands today.   There is also a podcast on the New Yorker website where you can listen not only to the bells themselves, but also to me trying to remember some facts about bells, which you could probably find faster using Google.  Actually the nice thing about a phone interview, I learned, is that you can pause mid-answer to look things up on Wikipedia, and later the pause/ typing sounds will be edited out.

For some reason, they didn’t link to any images of the destruction of bells in Soviet times, so I will do it here instead.  There are some great images here, and especially here. 

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