The Third Man
Sunday, September 13th, 2009Last night I saw Carol Reed’s The Thin Third Man again. It’s one of those masterpieces where you find something different in it on each viewing. The last time I saw it, as a literature graduate student, I was particularly struck by the scene in which Holly Martins, fearing for his life, is picked up by an unknown taxi driver, spirited through noir Vienna, and deposited with screeching brakes at the British Cultural Reeducation Service, where he is forced to answer questions like “Do you believe in the stream of consciousness?” and “Where would you place James Joyce?” before an audience of literary expatriates who keep walking out in disgust. “How like life,” I remember thinking.


I had mentioned an abbreviated version of the