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Posts Tagged ‘author photos’

EYE TO EYE

Sunday, June 5th, 2011

A while back I received this email from Nadifa Mohamed, a valuable living novelist and friend of the koalas:

It was a lovely surprise to see your article in the Guardian, I am happy that your book is doing so well but you have left me with this: ‘the penis-like eye of a video camera’ please explain as it is a very unsettling image.

Her kind message made me realize how ambiguous my original phrase was… so, I reproduce here my response for any other confused readers:

i meant the eye of the camera resembles the “eye” of a penis – not that the eye of the camera resembles a penis tout entièr… they have such tiny lenses these days.  first you’re talking to a person, and then suddenly they disappear it’s just you and this tiny pinpoint staring at each other, and only one of you is human.

More about Ms. Mohamed and some other fine living writers, plus another 5-star Amazon review, very soon…

I CAN TOTALLY READ

Tuesday, May 3rd, 2011

Disembodied readers!  I was so happy to meet several of you at my and Kaya Genç’s blogging talk on Saturday.  Those who couldn’t make it missed an opportunity to watch me knock over a largeish glass of water, but don’t worry, I’m sure it will happen again.

At the conclusion of the event, which I personally enjoyed a great deal, I was gently but firmly escorted to the roof of the building, where I had a nice long interview with Aktüel magazine, followed by a 1.5-hour photo shoot during which I was immortalized: (a) leaning playfully over the bannister at the top of a long flight of stairs; (b) perched on a wall; and (c) ensconced inside some kind of gigantic avant-garde porthole.  During the porthole stage, as I was trying very hard to turn my aggrieved expression upside-down, I overheard one of the publicists tell her colleague: “I think we are going to read about this on Elif’s blog tomorrow.”

These exertions made me really enthusiastic to get back to Pilates class on Monday. Imagine my feelings when I sat down on my foam mat, in a sea of young people sitting on identical foam mats, and the instructor looked right at me and said: “I read your interview in Milliyet over the weekend.”  “Did you,” I said.  We began to discuss my writing career and plans for the future. At some point, she asked a question whose answer depended on my having read the interview, which I hadn’t. 

“I’m not able to read interviews,” I explained.

“You’re… not able to??” she repeated, with a look of shock.  In this way I realized that the Pilates instructor thought I was confessing to illiteracy.

“Alas, I have not yet been bitten by the black stallion of literacy.”

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XTREME PUBLICITY

Friday, April 29th, 2011

Irrepressible readers!  My loyal intern and I are well into month 14 of promoting The Possessed, which comes out in May in both Spain and Turkey.  Guess what this means?  It means more interviews!  I was just chatting over tea with Milliyet’s very lovely Zeynep Miraç Özkartal.  It is a rare Turkish interview that goes by without my being invited to talk smack about national treasure Orhan Pamuk.  Today, I got so excited talking about why Gogol is funnier than Orhan Pamuk that I somehow caused my tea glass (an Ajda glass, as it happens) to shatter into several pieces, covering me with both tea and broken glass.  (That is how I was occupied at the beginning of the royal wedding – I know because, when I went to get napkins, I saw it on TV.)

Shortly thereafter the photographer came, and the next thing I knew I was sitting on a stone parapet, my shirt (and a few glass splinters) stuck to my body with tea. I had to surrender my jacket for aesthetic purposes.  Bracing myself against a rather strong wind, I thought: “What if I fall off this stone parapet and break my head open?”  It was one of the many, many occasions I have found in the past weeks to take comfort in the words of Marcus Aurelius: “The good man’s only singularity lies in his approving welcome to every experience the looms of fate may weave for him.”

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WILDE/ VILDE

Tuesday, April 19th, 2011

Globalized readers!  I’m just back from my first visit to Ireland, where I was really happy and honored to read at the Cúirt Festival in Galway with Geoff Dyer, one of my favorite writers about books.

In light of the recent kind comments from Anthony Powell fans, I will cite one line I particularly admired in Dyer’s Jeff in Venice, Death in Varanasi:

In some ways the [Venice] Biennale was like A Dance to the Music of Time condensed into four days: the same people cropping up, expectedly and unexpectedly, generally looking somewhat the worse for wear.

I remembered this line when I reached the description of the Biennale in Temporary Kings (Volume Eleven of Powell’s Dance to the Music of Time): it isn’t clear why Ada is there with Glober, and whether the artifact made of “zinc, horsehair, patent leather and cardboard” in the French pavilion is supposed to look German-African or German-Japanese, and I thought that Dyer must have had this passage in mind, that there must have been the idea on some level of collapsing the whole twelve novels into the Biennale scene.  But he told me in the taxi from the airport that he never actually got past volume five!

Anyway, I had an amazing time in Galway. I had barely been in town fifteen minutes when a kind editor bought me a pint of something called a Galway Hooker. Later, a wonderful local artist drove me and Dyer to a beach in Connemara, where we climbed on some rocks and looked at the Aran Islands.1  The local artist found some seaweed that she was pretty sure was the kind of seaweed which, if you soak it in very hot bath water and squeeze it, produces a lovely aloe-vera-like gel, although she wasn’t positive, it might have been just ordinary seaweed.  She offered some to me and Dyer to put in our baths, but we both declined.

BRITISH SEA POWER/ MAN OF ARAN

I greatly enjoyed our reading and discussion, which took place that afternoon at the super-old and potentially haunted Druid Theater, to a fantastic crowd with names like Fionnghuala and Saoirse.  It was a pleasure and a privilege to inscribe copies of one’s book to people with such beautiful names!

I was also very moved by the combined monument to Oscar Wilde and Eduard Vilde, a gift to Galway from the Estonian people (the original is in Tartu). It commemorates a meeting that did not take place in 1892.

wilde vilde

Here’s to conversations between writers, both the ones that really happened and the ones that didn’t!

  1. As a college freshman I remember having to write a response paper to a 3-minute sequence in The Man of Aran (1934), involving a woman rocking a cradle.  I don’t think I ever felt more despair about any writing assignment before or since.  Little did I know I would ever stand on a rock and look at the Aran Islands as part of a book festival!

UNDER THESE CIRCUMSTANCES

Sunday, April 3rd, 2011

Satiated readers!  Please join me in getting excited again about The Possessed, in honor of next week’s UK launch! Conveniently, the book now looks completely different. I thought I would never like any cover as much as Roz Chast’s FSG paperback - but check out the new Granta hardcover, designed byMichael Salu:

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FSG paperback, $15

Granta HC, £16.99

I love the original paperback, because it’s so scary and cheap, two of my favorite qualities.  But I also love the new hardcover, because it’s so trippy and classy, two more of my favorite qualities.

The new cover illustration is based on the dream sequence in “Who Killed Tolstoy?”:

I dreamed I was playing tennis against Tolstoy. As Alice in Wonderland plays croquet with a flamingo for a mallet, I was playing tennis with a goose for a racket. Lev Nikolayevich had a normal racket. I served the ball, producing a flurry of fluffy gray down. Tolstoy’s mighty backhand projected the ball far beyond the outermost limits of the tennis lawn, into the infinite dimension of total knowledge and human understanding. Match point.

It is, as Salu explains, “a dual cover, with either Elif or Tolstoy winning the rally depending on how the book is held”:

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front (Elif winning) back (Tolstoy winning)
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