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	<title>Comments on: Sonny Boy</title>
	<atom:link href="http://www.elifbatuman.net/2008/04/26/sonny-boy/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.elifbatuman.net/2008/04/26/sonny-boy/</link>
	<description>&#34;A writer never has a vacation.&#34; Eugene Ionesco</description>
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		<title>By: Stephen Rittenberg</title>
		<link>http://www.elifbatuman.net/2008/04/26/sonny-boy/comment-page-1/#comment-509</link>
		<dc:creator>Stephen Rittenberg</dc:creator>
		<pubDate>Tue, 29 Apr 2008 23:35:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.elifbatuman.net/2008/04/26/sonny-boy/#comment-509</guid>
		<description>I was amazed and delighted to see the reference to my article, written long ago: On Charm. I will be following your blog and your career, and wish you the very best of luck. You might be interested in another paper I wrote for the Psychoanalytic Study of the Child, called On Self Creation Fantasies. It deals with some literary, (Gatsby, Mattia Pascal) as well as clinical representations of the fantasy and was written in the dim dark past--1991--before &#039;self creation&#039; became such a fashionable concept. 
Cordially,
Stephen Rittenberg, M.D.</description>
		<content:encoded><![CDATA[<p>I was amazed and delighted to see the reference to my article, written long ago: On Charm. I will be following your blog and your career, and wish you the very best of luck. You might be interested in another paper I wrote for the Psychoanalytic Study of the Child, called On Self Creation Fantasies. It deals with some literary, (Gatsby, Mattia Pascal) as well as clinical representations of the fantasy and was written in the dim dark past&#8211;1991&#8211;before &#8217;self creation&#8217; became such a fashionable concept.<br />
Cordially,<br />
Stephen Rittenberg, M.D.</p>
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		<title>By: Erin Smith</title>
		<link>http://www.elifbatuman.net/2008/04/26/sonny-boy/comment-page-1/#comment-489</link>
		<dc:creator>Erin Smith</dc:creator>
		<pubDate>Mon, 28 Apr 2008 20:13:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.elifbatuman.net/2008/04/26/sonny-boy/#comment-489</guid>
		<description>Synchronicity!</description>
		<content:encoded><![CDATA[<p>Synchronicity!</p>
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		<title>By: Tara Baltazar</title>
		<link>http://www.elifbatuman.net/2008/04/26/sonny-boy/comment-page-1/#comment-488</link>
		<dc:creator>Tara Baltazar</dc:creator>
		<pubDate>Mon, 28 Apr 2008 02:26:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.elifbatuman.net/2008/04/26/sonny-boy/#comment-488</guid>
		<description>Your writing is so rich, Elif, I&#039;m jealous! Waa! Your review was enjoyable, thank you. :) If you&#039;re D-list, then ... alas ... I may have to reconcile myself with the notion of aspiring to F-list. :(

And, I wish I could cast a spell or some voodoo weirdness on my therapist to derail our process. She&#039;s so exacting. If only she succumbed to my &quot;charm.&quot; Scare quotes. Reading this, I thought of passages from Wallace&#039;s &quot;Broom of the System,&quot; his first sad young male literary novel which features rather entertaining encounters between its protagonist, Lenore, and her therapist, a Lacanian freak. At one point, during one session, he wears a gas mask which prompts her to enquire, &quot;Is that really a Harvard diploma on your wall?&quot;

So yeah. 

I went to SXSW this past March and discovered a wonderful Swedish pop-indie duo, perhaps you&#039;d dig their music: &lt;a href=&quot;http://www.last.fm/music/The+LK&quot; rel=&quot;nofollow&quot;&gt;The LK&lt;/a&gt;.

Take care,
Tara</description>
		<content:encoded><![CDATA[<p>Your writing is so rich, Elif, I&#8217;m jealous! Waa! Your review was enjoyable, thank you. <img src='http://www.elifbatuman.net/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  If you&#8217;re D-list, then &#8230; alas &#8230; I may have to reconcile myself with the notion of aspiring to F-list. <img src='http://www.elifbatuman.net/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' /> </p>
<p>And, I wish I could cast a spell or some voodoo weirdness on my therapist to derail our process. She&#8217;s so exacting. If only she succumbed to my &#8220;charm.&#8221; Scare quotes. Reading this, I thought of passages from Wallace&#8217;s &#8220;Broom of the System,&#8221; his first sad young male literary novel which features rather entertaining encounters between its protagonist, Lenore, and her therapist, a Lacanian freak. At one point, during one session, he wears a gas mask which prompts her to enquire, &#8220;Is that really a Harvard diploma on your wall?&#8221;</p>
<p>So yeah. </p>
<p>I went to SXSW this past March and discovered a wonderful Swedish pop-indie duo, perhaps you&#8217;d dig their music: <a href="http://www.last.fm/music/The+LK" rel="nofollow">The LK</a>.</p>
<p>Take care,<br />
Tara</p>
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		<title>By: Peli Grietzer</title>
		<link>http://www.elifbatuman.net/2008/04/26/sonny-boy/comment-page-1/#comment-482</link>
		<dc:creator>Peli Grietzer</dc:creator>
		<pubDate>Sun, 27 Apr 2008 05:06:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.elifbatuman.net/2008/04/26/sonny-boy/#comment-482</guid>
		<description>[so I stared at my screen for like 20 minutes before pressing &quot;submit&quot;. have mercy]

I feel like the &quot;non-anglo charcters in Wes Anderson films are faceless&quot;  trope established itself through pure reptition in high-end-magazine-articles so perfectly that no one ever has to actually consider the movies before re-asserting it. I know that&#039;s not exactly the case you&#039;re making about &quot;backgroung&quot;, but you kinda seamlessly integrated it as a given.
 Pagoda v.  Ryleigh,  or the train-owner vs. the mother, or Seu Jorge vs.  script girl  --  there&#039;s just no chasm there.  And all are made out meticolously to be their own centers we only get to experience the edges of.</description>
		<content:encoded><![CDATA[<p>[so I stared at my screen for like 20 minutes before pressing "submit". have mercy]</p>
<p>I feel like the &#8220;non-anglo charcters in Wes Anderson films are faceless&#8221;  trope established itself through pure reptition in high-end-magazine-articles so perfectly that no one ever has to actually consider the movies before re-asserting it. I know that&#8217;s not exactly the case you&#8217;re making about &#8220;backgroung&#8221;, but you kinda seamlessly integrated it as a given.<br />
 Pagoda v.  Ryleigh,  or the train-owner vs. the mother, or Seu Jorge vs.  script girl  &#8212;  there&#8217;s just no chasm there.  And all are made out meticolously to be their own centers we only get to experience the edges of.</p>
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